research and to use direct observation and who inculcated in him a
horror of vulgarity and a contempt for facility.

Maupassant himself tells us of those severe initiations in the Rue
Murillo, or in the tent at Croisset; he has recalled the implacable
didactics of his old master, his tender brutality, the paternal advice
of his generous and candid heart. For seven years Flaubert slashed,
pulverized, the awkward attempts of his pupil whose success remained
uncertain.

Suddenly, in a flight of spontaneous perfection, he wrote Boule de
Suif. His master's joy was great and overwhelming. He died two months
later.

Until the end Maupassant remained illuminated by the reflection of the
good, vanished giant, by that touching reflection that comes from the
dead to those souls they have so profoundly stirred. The worship of
Flaubert was a religion from which nothing could distract him, neither
work, nor glory, nor slow moving waves, nor balmy nights.

At the end of his short life, while his mind was still clear, he wrote
to a friend: "I am always thinking of my poor Flaubert, and I say to
myself that I should like to die if I were sure that anyone would
think of me in the same manner."

During these long years of his novitiate Maupassant had entered the
social literary circles. He would remain silent, preoccupied; and if
anyone, astonished at his silence, asked him about his plans he
answered simply: "I am learning my trade." However, under the
pseudonym of Guy de Valmont, he had sent some articles to the