been with Mrs. Farange. The note of hilarity brought people together
still more than the note of melancholy, which was the one exclusively
sounded, for instance, by poor Mrs. Wix. Maisie in these days preferred
none the less that domestic revels should be wafted to her from a
distance: she felt sadly unsupported for facing the inquisition of the
drawing-room. That was a reason the more for making the most of Susan
Ash, who in her quality of under-housemaid moved at a very different
level and who, none the less, was much depended upon out of doors. She
was a guide to peregrinations that had little in common with those
intensely definite airings that had left with the child a vivid memory
of the regulated mind of Moddle. There had been under Moddle's system
no dawdles at shop-windows and no nudges, in Oxford Street, of "I SAY,
look at 'ER!" There had been an inexorable treatment of crossings and a
serene exemption from the fear that--especially at corners, of which she
was yet weakly fond--haunted the housemaid, the fear of being, as she
ominously said, "spoken to." The dangers of the town equally with its
diversions added to Maisie's sense of being untutored and unclaimed.

The situation however, had taken a twist when, on another of her
returns, at Susan's side, extremely tired, from the pursuit of exercise
qualified by much hovering, she encountered another emotion. She on this
occasion learnt at the door that her instant attendance was requested
in the drawing-room. Crossing the threshold in a cloud of shame she
discerned through the blur Mrs. Beale seated there with a gentleman who
immediately drew the pain from her predicament by rising before her as
the original of the photograph of Sir Claude. She felt the moment she
looked at him that he was by far the most shining presence that had ever
made her gape, and her pleasure in seeing him, in knowing that he took
hold of her and kissed her, as quickly throbbed into a strange shy pride
in him, a perception of his making up for her fallen state, for Susan's