London Films by William Dean Howells
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page 13 of 220 (05%)
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as well as the material structure, but if we could see London and New
York as lawless in the one way as in the other, we should perhaps see how ugly they collectively are. The sum of such involuntary reflection with me has been the perception that London was and is and shall be, and New York is and shall be, but has hardly yet been. New York is therefore one-third less morally, as she is one-third less numerically, than London. In her future she has no past, but only a present to retrieve; though perhaps a present like hers is enough. She is also one less architecturally than London; she is two- thirds as splendid, as grand, as impressive. In fact, if I more closely examine my pocket vision, I am afraid that I must hedge from this modest claim, for we have as yet nothing to compare with at least a half of London magnificence, whatever we may have in the seventeen or eighteen hundred years that shall bring us of her actual age. As we go fast in all things, we may then surpass her; but this is not certain, for in her more deliberate way she goes fast, too. In the mean time the materials of comparison, as they lie dispersed in the pocket vision, seem few. The sky-scrapers, Brooklyn Bridge, Madison Square Garden, and some vast rocketing hotels offer themselves rather shrinkingly for the contrast with those miles of imperial and municipal architecture which in London make you forget the leagues of mean little houses, and remember the palaces, the law-courts, the great private mansions, the dignified and shapely flats, the large department stores, the immense hotels, the bridges, the monuments of every kind. One reason, I think, why London is so much more striking is in the unbroken line which the irregularly divided streets often present to the passer. Here is a chance for architecture to extend, while with us it has only a chance to tower, on the short up-town block which is the |
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