London Films by William Dean Howells
page 35 of 220 (15%)
page 35 of 220 (15%)
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Sunday noons and afternoons which I have tried to photograph, some
picture of open-air life in the slums. But upon reflection I have decided that the true counterpart of that scene is to be found any week-day evening, when the weather is fair, on the grassy stretches which the Park rises into somewhat beyond the sacred close of high life. This space is also enclosed, but the iron fence which bounds it is higher and firmer, and there is nothing of such seclusion as embowering foliage gives. There are no trees on any side for many acres, and the golden-red sunset glow hovers with an Indian-summer mellowness in the low English heaven; or at least it did so at the end of one sultry day which I have in mind. From all the paths leading up out of Piccadilly there was a streaming tendency to the pleasant level, thickly and softly turfed, and already strewn with sitting and reclining shapes which a more impassioned imagination than mine might figure as the dead and wounded in some field of the incessant struggle of life. But, besides having no use for such a figure, I am withheld from it by a conscience against its unreality. Those people, mostly young people, are either sitting there in gossiping groups, or whispering pairs, or singly breathing a mute rapture of release from the day's work. A young fellow lies stretched upon his stomach, propped by his elbows above the newspaper which the lingering light allows him to read; another has an open book under his eyes; but commonly each has the companionship of some fearless girl in the abandonment of the conventionalities which with us is a convention of summer ease on the sands beside the sea, but which is here without that extreme effect which the bathing-costume imparts on our beaches. These young people stretched side by side on the grass in Hyde Park added a pastoral charm to the scene, a suggestion of the "Bella eta, dell' oro" |
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