London Films by William Dean Howells
page 38 of 220 (17%)
page 38 of 220 (17%)
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form; and now and then one saw the venerable convention of the cockaded
footman's and coachman's silk hat mocked in straw. No concession more extreme could be made to the heat, and these strange cylinders, together with the linen liveries which accompanied them, accented the excesses in which the English are apt to indulge their common-sense when they decide to give way to it. They have apparently decided to give way to it in the dress of both sexes on the bridle-paths of the Park, where individual caprice is the sole law that obtains amid a general anarchy. [Illustration: ROTTEN ROW.] The effect, upon the whole, is exhilarating, and suggests the daring thought that, if ever their race decides to get on without government of any sort, they will rid themselves of it with a thoroughness and swiftness past the energy of dynamite, and cast church and state, with all their dignities, to the winds as lightly as they have discarded the traditional costumes of Rotten Row. The young girls and young men in flapping panamas, in tunics and jackets of every kind and color, gave certainly an agreeable liveliness to the spectacle, which their elders emulated by expressions of taste as personal and unconventional. A lady in the old-fashioned riding-habit and a black top-hat with a floating veil recalled a former day, but she was obviously riding to lose weight, in a brief emergence from the past to which she belonged. One man similarly hatted, but frock-coated and not veiled, is scarcely worthy of note; but no doubt he was gratifying an individual preference as distinct as that of the rest. He did not contribute so much to the sense of liberation from the heat as the others who, when it reached its height, frankly confessed its power by riding in greatly diminished numbers. By twelve o'clock scarcely one left of all those joyous youths, those jolly sires and grandsires, those happy children, matched in size |
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