London Films by William Dean Howells
page 46 of 220 (20%)
page 46 of 220 (20%)
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rumbles forward with a sound of thunder, and the motion of a steamer
when they put the table-racks on. Seen from the pavement, or from the top of another omnibus, it is of barbaric majesty; not, indeed, in the single example, but as part of the interminable line of omnibuses coming towards you. Then its clumsiness is lost in the collective uncouthness which becomes of a tremendous grandeur. The procession bears onward whole populations lifted high in the air, and swaying and lurching with the elephantine gait of things which can no more capsize than they can keep an even pace. Of all the sights of London streets, this procession of the omnibuses is the most impressive, and the common herd of Londoners of both sexes which it bears aloft seems to suffer a change into something almost as rich as strange. They are no longer ordinary or less than ordinary men and women bent on the shabby businesses that preoccupy the most of us; they are conquering princes, making a progress in a long triumph, and looking down upon a lower order of human beings from their wobbling steeps. It enhances their apparent dignity that they whom they look down upon are not merely the drivers of trucks and wagons of low degree, but often ladies of title in their family carriages, under the care of the august family coachman and footman, or gentlemen driving in their own traps or carts, or fares in the hansoms that steal their swift course through and by these ranks; the omnibuses are always the most monumental fact of the scene. They dominate it in bulk and height; they form the chief impulse of the tremendous movement, and it is they that choke from time to time the channel of the mighty torrent, and helplessly hold it in the arrest of a _block_. [Illustration: A BLOCK IN THE STRAND.] No one can forecast the moment when, or the place where, a block may happen; but mostly it occurs in mid-afternoon, at the intersection of |
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