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London Films by William Dean Howells
page 91 of 220 (41%)
not paid it at all.

The Banquetting House is now a sort of military and naval museum; with
the swords and saddles and uniforms and other equipments of divers
English heroes in glass cases, and models of battle-ships, and of the
two most famous English battles, likewise under glass. I was not so vain
of my reading about battles as not to be glad of seeing how the
men-of-war deployed at Trafalgar; or how the French and English troops
were engaged at Waterloo (with the smoke coming out of the cannons'
mouths in puffs of cotton-wool), when Blucher modestly appeared at one
corner of the plan in time to save the day. "But we should 'ave 'ad it,
without 'im?" a fellow sight-seer of local birth anxiously inquired of
the custodian. "Oh, we should 'ave 'ad the victory, anyway," the
custodian reassured him, and they looked together at some trophies of
the Boer war with a patriotic interest which we could not share. I do
not know whether they shared my psychological interest in that
apposition of Napoleon and of Nelson which, in this place, as in several
others in England, invests the spiritual squalor of war-memories with
the glamour of two so supremely poetic, yet so different personalities.
Whatever other heroes may have been, these dreamers in their ideals shed
such a light upon the sad business of their lives as almost to ennoble
it. One feels that with a little more qualification on the creative side
they could have been literary men, not of the first order, perhaps, but,
say, historical novelists.

There is some question among other authorities which window of the
Banquetting House the doomed king passed through upon the scaffold to
the block; but the custodian had no doubts. He would not allow a choice
of windows, and as to a space broken through the wall, he had never
heard of it. But we were so well satisfied with his window as to shrink
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