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Lectures on Dramatic Art and Literature by August Wilhelm Schlegel
page 102 of 644 (15%)
A chorus of aged persons appears, and in their songs they go through the
whole history of the Trojan War, through all its eventful fluctuations of
fortune, from its origin, and recount all the prophecies relating to it,
and the sacrifice of Iphigenia, by which the sailing of the Greeks was
purchased. Clytemnestra explains to the chorus the joyful cause of the
sacrifice which she orders; and the herald Talthybius immediately makes
his appearance, who, as an eye-witness, relates the drama of the conquered
and plundered city, consigned as a prey to the flames, the joy of the
victors, and the glory of their leader. With reluctance, as if unwilling
to check their congratulatory prayers, he recounts to them the subsequent
misfortunes of the Greeks, their dispersion, and the shipwreck suffered by
many of them, an immediate symptom of the wrath of the gods. It is obvious
how little the unity of time was observed by the poet,--how much, on the
contrary, he avails himself of the prerogative of his mental dominion over
the powers of nature, to give wings to the circling hours in their course
towards the dreadful goal. Agamemnon now arrives, borne in a sort of
triumphal car; and seated on another, laden with booty, follows Cassandra,
his prisoner of war, and concubine also, according to the customary
privilege of heroes. Clytemnestra greets him with hypocritical joy and
veneration; she orders her slaves to cover the ground with the most costly
embroideries of purple, that it might not be touched by the foot of the
conqueror. Agamemnon, with wise moderation, refuses to accept an honour
due only to the gods; at last he yields to her solicitations, and enters
the palace. The chorus then begins to utter its dark forebodings.
Clytemnestra returns to allure, by friendly speeches, Cassandra also to
destruction. The latter is silent and unmoved, but the queen is hardly
gone, when, seized with prophetic furor, she breaks out into the most
confused and obscure lamentations, but presently unfolds her prophecies
more distinctly to the chorus; in spirit she beholds all the enormities
which have been perpetrated within that house--the repast of Thyestes,
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