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Lectures on Dramatic Art and Literature by August Wilhelm Schlegel
page 106 of 644 (16%)
Orestes and his adversaries, and, at the solicitation of the two parties,
finally undertakes, after due reflection, the office of umpire. The
assembled judges take their seats on the steps of the temple--the herald
commands silence among the people by sound of trumpet, just as in a real
trial. Apollo advances to advocate the cause of his suppliant, the Furies
in vain protest against his interference, and the arguments for and
against the deed are debated between them in short speeches. The judges
cast their ballots into the urn, Pallas throws in a white one; all is
wrought up to the highest pitch of expectation; Orestes, in agony of
suspense, exclaims to his protector--

O Phoebus Apollo, how will the cause be decided?

The Furies on the other hand:

O Night, black Mother, seest thou these doings?

Upon counting the black and white pebbles, they are found equal in number,
and the accused, therefore, by the decision of Pallas, is acquitted. He
breaks out into joyful thanksgiving, while the Furies on the other hand
declaim against the overbearing arrogance of these younger gods, who take
such liberties with those of Titanic race. Pallas bears their rage with
equanimity, addresses them in the language of kindness, and even of
veneration; and these so indomitable beings are unable to withstand the
charms of her mild eloquence. They promise to bless the land which is
under her tutelary protection, while on her part Pallas assigns them a
sanctuary in the Attic domain, where they are to be called the
_Eumenides_, that is, "the Benevolent Goddesses." The whole ends with
a solemn procession round the theatre, with hymns of blessing, while bands
of children, women, and old men, in purple robes and with torches in their
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