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Lectures on Dramatic Art and Literature by August Wilhelm Schlegel
page 109 of 644 (16%)
would preserve peace within.

So much for the deep philosophical meaning which we need not wonder to
find in this poet, who, according to the testimony of Cicero, was a
Pythagorean. Aeschylus had also political views. Foremost of these was the
design of rendering Athens illustrious. Delphi was the religious centre of
Greece, and yet how far it is thrown into the shade by him! It can shelter
Orestes, indeed, from the first onset of persecution, but not afford him a
complete liberation; this is reserved for the land of law and humanity.
But, a further, and in truth, his principal object was to recommend as
essential to the welfare of Athens the Areopagus [Footnote: I do not find
that this aim has ever been expressly ascribed to Aeschylus by any ancient
writer. It is, however, too plain to be mistaken, and is revealed
especially in the speech of Pallas, beginning with the 680th verse. It
agrees, moreover, with the account, that in the very year when the piece
was represented, (Olymp. lxxx. 1.) a certain Ephialtes excited the people
against the Areopagus, which was the best guardian of the old and more
austere constitution, and kept democratic extravagance in check. This
Ephialtes was murdered one night by an unknown hand. Aeschylus received
the first prize in the theatrical games, but we know that he left Athens
immediately afterwards, and passed his remaining years in Sicily. It is
possible that, although the theatrical judges did him justice, he might be
held in aversion by the populace, and that this induced him, without any
express sentence of banishment, to leave his native city. The story of the
sight of the terrible chorus of Furies having thrown children into mortal
convulsions, and caused women to miscarry, appears to be fabulous. A poet
would hardly have been crowned, who had been the occasion of profaning the
festival by such occurrences.], an uncorruptible yet mild tribunal, in
which the white ballot of Pallas given in favour of the accused is an
invention which does honour to the humanity of the Athenians. The poet
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