Lectures on Dramatic Art and Literature by August Wilhelm Schlegel
page 33 of 644 (05%)
page 33 of 644 (05%)
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After Christianity, the character of Europe has, since the commencement of
the Middle Ages, been chiefly influenced by the Germanic race of northern conquerors, who infused new life and vigour into a degenerated people. The stern nature of the North drives man back within himself; and what is lost in the free sportive development of the senses, must, in noble dispositions, be compensated by earnestness of mind. Hence the honest cordiality with which Christianity was welcomed by all the Teutonic tribes, so that among no other race of men has it penetrated more deeply into the inner man, displayed more powerful effects, or become more interwoven with all human feelings and sensibilities. The rough, but honest heroism of the northern conquerors, by its admixture with the sentiments of Christianity, gave rise to chivalry, of which the object was, by vows which should be looked upon as sacred, to guard the practice of arms from every rude and ungenerous abuse of force into which it was so likely to sink. With the virtues of chivalry was associated a new and purer spirit of love, an inspired homage for genuine female worth, which was now revered as the acme of human excellence, and, maintained by religion itself under the image of a virgin mother, infused into all hearts a mysterious sense of the purity of love. As Christianity did not, like the heathen worship, rest satisfied with certain external acts, but claimed an authority over the whole inward man and the most hidden movement of the heart; the feeling of moral independence took refuge in the domain of honour, a worldly morality, as it were, which subsisting alongside of, was often at variance with that of religion, but yet in so far resembling it that it never calculated consequences, but consecrated unconditionally certain principles of |
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