Lectures on Dramatic Art and Literature by August Wilhelm Schlegel
page 90 of 644 (13%)
page 90 of 644 (13%)
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Thebes, families who had nothing to do with the political history of the
Athenians, for whom the pieces were composed. We do not see that the Attic poets ever endeavoured to exhibit the ancient kings of their country in an odious light; on the contrary, they always hold up their national hero, Theseus, for public admiration, as a model of justice and moderation, the champion of the oppressed, the first lawgiver, and even as the founder of liberty. It was also one of their favourite modes of flattering the people, to show to them Athens, even in the heroic ages, as distinguished above all the other states of Greece, for obedience to the laws, for humanity, and acknowledgment of the national rights of the Hellenes. That universal revolution, by which the independent kingdoms of ancient Greece were converted into a community of small free states, had separated the heroic age from the age of social cultivation, by a wide interval, beyond which a few families only attempted to trace their genealogy. This was extremely advantageous for the ideal elevation of the characters of Greek tragedy, as few human things will admit of a very close inspection without betraying some imperfections. To the very different relations of the age in which those heroes lived, the standard of mere civil and domestic morality is not applicable, and to judge of them the feeling must go back to the primary ingredients of human nature. Before the existence of constitutions,--when as yet the notions of law and right were undeveloped,--the sovereigns were their own lawgivers, in a world which as yet was dependent on them; and the fullest scope was thus given to the energetic will, either for good or for evil. Moreover, an age of hereditary kingdom naturally exhibited more striking instances of sudden changes of fortune than the later times of political equality. It was in this respect that the high rank of the principal characters was essential, or at least favourable to tragic impressiveness; and not, as some moderns have pretended, because the changing fortunes of such persons exercise a material influence on the happiness or misery of numbers, and therefore |
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