and the success of Jacob with the sheep, which in J is due to his
skill and cunning, xxx. 29-43, is referred in E to the intervention
of God, xxxi. 5-12. In general it may be said that J, while
religious, is also natural, whereas E tends to emphasize the
supernatural, and thus takes the first step towards the austere
theology of P.[2]
[Footnote 1: In this way it is distinguished from P, which, as we
have seen, is also Elohistic, but is not now so called.]
[Footnote 2: A detailed justification of the grounds of the critical
analysis will be found in Professor Driver's elaborate and admirable
_Introduction to the Literature of the Old Testament_, where
every section throughout the Hexateuch is referred to its special
documentary source. To readers who desire to master the detail, that
work or one of the following will be indispensable: _The Hexateuch_,
edited by Carpenter and Battersby, Addis's _Documents of the Hexateuch_,
Bacon's _Genesis of Genesis_ and _Triple Tradition of the Exodus_,
or Kent's _Student's Old Testament_ (vol. i.)]

J is the most picturesque and fascinating of all the sources-attractive
alike for its fine poetic power and its profound religious insight.
This is the source which describes the wooing of Isaac's bride (xxiv.),
and the meeting of Jacob and Rachel at the well, xxix. 2-14; in this
source, too, which appears to be the most primitive of all, there are
speaking animals--the serpent, e.g., in Genesis iii. (and the ass in
Num. xxii. 28). The story of the origin of sin, in every respect a
masterpiece, is told by J; we do not know whether to admire more the
ease with which Jehovah, like a skilful judge, by a few penetrating
questions drives the guilty pair to an involuntary confession, or
the fidelity with which the whole immortal scene reflects the eternal
facts of human nature. The religious teaching of J is extraordinarily