practically independent of the narrative. The style and contents of
the code show that it is not all of a piece, but must have been of
gradual growth. The 2nd pers. sing., e.g., sometimes alternates with
the pl. in consecutive verses, xxii. 21, 22. Again, while some of
the laws state, in the briefest possible words, the official penalty
attached to a certain crime, xxi. 12, others are longer and
introduce a religious sanction, xxii. 23, 24, and a few deal
definitely with religious feasts, xxiii. 14-19, obligations, xxii.
29-31, or sanctuaries, xx. 23-26. In general, the code implies the
settled life of an agricultural and pastoral people, and the
community for which it is designed must have already attained a
certain measure of organization, as we must assume that there were
means for enacting the penalties threatened. A remarkably
humanitarian spirit pervades the code. It mitigates the lot of the
slave, it encourages a spirit of justice in social relations, and it
exhibits a fine regard for the poor and defenceless, xxii. 21-27. It
probably represents the juristic usages, or at least ideals, of the
early monarchy.

_The Song of Moses_, xv. 1-18, also appears to belong to the
monarchy. The explicit mention of Philistia, Edom and Moab in
_vv_. 14, 15 imply that the people are already settled in
Canaan, and the sanctuary in _v. 17b_ is most naturally, if not
necessarily, interpreted of the temple. The poem appears to be an
elaboration of the no doubt ancient lines:

Sing to Jehovah, for He hath triumphed gloriously;
The horse and his rider He hath thrown into the sea (xv. 21).

The religious, as opposed to the theological, interest of the book