Introduction to the Old Testament by John Edgar McFadyen
page 41 of 318 (12%)
page 41 of 318 (12%)
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any pretence to be connected with the main body of the story. By far
the largest part of the book comes from P, and most of it is very easy to detect. No possible doubt, e.g., can attach to i.-x., 28, with its interest in priests, Levites, tabernacle and laws. As significant as the contents is the style which is not seldom diffuse to tediousness, e.g., in the account of the census (i.), the dedication gifts (vii.), or the regulation of the movements of the camp by the cloud, ix. 15-23. Ch. xv., with its laws for offerings, sacrifices and the Sabbath, ch. xvii., with its vindication of the special prerogatives of the tribe of Levi, and chs. xviii., xix., which regulate the duties and privileges of priests and Levites, and the manner of purification, are also unmistakable. Chs. xxvi.-xxxi., as even the preliminary sketch of the book would suggest, must, for similar reasons, also have the same origin. To P also clearly belong xxxiii. and xxxiv. with their statistical bent, and xxxv. and xxxvi. with their interest in the Levites and legislation. Besides these sections, however, the presence of P is certain--though not always so easily detected, as it is in combination with JE--in some of the more distinctively narrative sections, e.g. in the account of the spies (xiii., xiv.), of the rebellion against the authority of Moses and Aaron (xvi.), of the sin of Moses and Aaron, xx. 1-13, and of the settlement east of the Jordan (xxxii.). About such narratives as the death of Aaron, xx. 22-29, or the zeal and reward of Phinehas, xxv. 6-18, there can be no doubt. With the exception of a few odd verses, all that remains, after deducting the passages referred to, belongs to the prophetic narrative (JE). The radical difference in point of style and interests between JE and P occasionally extends even to their account of the facts. The story of the spies furnishes several striking illustrations of this difference. In JE they go from the |
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