Chita: a Memory of Last Island by Lafcadio Hearn
page 74 of 102 (72%)
page 74 of 102 (72%)
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Often she heard the Music of the Marsh through the night: an
infinity of flutings and tinklings made by tiny amphibia,--like the low blowing of numberless little tin horns, the clanking of billions of little bells;--and, at intervals, profound tones, vibrant and heavy, as of a bass viol--the orchestra of the great frogs! And interweaving with it all, one continuous shrilling,--keen as the steel speech of a saw,--the stridulous telegraphy of crickets. But always,--always, dreaming or awake, she heard the huge blind Sea chanting that mystic and eternal hymn, which none may hear without awe, which no musician can learn,-- Heard the hoary Preacher,--El Pregonador,--preaching the ancient Word, the word "as a fire, and as a hammer that breaketh the rock in pieces,"--the Elohim--Word of the Sea! ... Unknowingly she came to know the immemorial sympathy of the mind with the Soul of the World,--the melancholy wrought by its moods of gray, the reverie responsive to its vagaries of mist, the exhilaration of its vast exultings--days of windy joy, hours of transfigured light. She felt,--even without knowing it,--the weight of the Silences, the solemnities of sky and sea in these low regions where all things seem to dream--waters and grasses with their momentary wavings,--woods gray-webbed with mosses that drip and drool,--horizons with their delusions of vapor,--cranes meditating in their marshes,--kites floating in the high blue.... Even the children were singularly quiet; and their play less |
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