home from those strange regions, savage implements of war and domestic
use, clubs, spears, boomerangs, various cooking utensils, all carved
with infinite pains from stone, ebony and iron-wood, cloth from the
bark of the tapa tree, are now deposited in the Peabody Academy, where
they form one of the largest collections of the kind extant. Even more
interesting is the sword of a sword-fish, pierced through the oak
planking of a Salem vessel for six inches or more. No human force could
do that even with a spear of the sharpest steel. Was the sword-fish
roused to anger when the ship came upon him sleeping in the water; or
did he mistake it for a strange species of whale?

There is a court-house on Federal Street, built in Webster's time, of
hard cold granite in the Grecian fashion of the day, not of the white
translucent marble with which the Greeks would have built it. Is it the
court-house where Webster made his celebrated argument in the White
murder case, or was that court-house torn down and a plough run through
the ground where it stood, as Webster affirmed that it ought to be?
Salem people were curiously reticent in regard to that trial, and
fashionable society there did not like Webster the better for having
the two Knapps convicted.

Much more valuable than such associations is William Hunt's full-length
portrait of Chief Justice Shaw, which hangs over the judge's bench in
the front court-room. "When I look at your honor I see that you are
homely, but when I think of you I know that you are great." it is this
combination of an unprepossessing physique with rare dignity of
character which Hunt has represented in what many consider the best of
American portraits. It is perhaps too much in the sketchy style of
Velasquez, but admirable for all that.