Early Plays — Catiline, the Warrior's Barrow, Olaf Liljekrans by Henrik Ibsen
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page 13 of 328 (03%)
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not find it expedient to engage until affairs had taken such a
turn that there was no longer any danger involved in the attack. It should also be remembered that there are few individuals in history whose renown has been more completely in the hands of enemies than that of Catiline. My drama was written during the hours of the night. The leisure hours for my study I practically had to steal from my employer, a good and respectable man, occupied however heart and soul with his business, and from those stolen study hours I again stole moments for writing verse. There was consequently scarcely anything else to resort to but the night. I believe this is the unconscious reason that almost the entire action of the piece transpires at night. Naturally a fact so incomprehensible to my associates as that I busied myself with the writing of plays had to be kept secret; but a twenty-year old poet can hardly continue thus without anybody being privy to it, and I confided therefore to two friends of my own age what I was secretly engaged upon. The three of us pinned great expectations on _Catiline_ when it had been completed. First and foremost it was now to be copied in order to be submitted under an assumed name to the theater in Christiania, and furthermore it was of course to be published. One of my faithful and trusting friends undertook to prepare a handsome and legible copy of my uncorrected draft, a task which he performed with such a degree of conscientiousness that he did not omit even a single one of the innumerable dashes which I in the heat of composition had liberally interspersed |
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