Tono Bungay by H. G. (Herbert George) Wells
page 29 of 497 (05%)
page 29 of 497 (05%)
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nothing of the habit. Well,--if I met those great gentlemen of the past
with their accents carelessly adjusted I did at least meet them alive, as an equal, and in a living tongue. Altogether my school might easily have been worse for me, and among other good things it gave me a friend who has lasted my life out. This was Ewart, who is now a monumental artist at Woking, after many vicissitudes. Dear chap, how he did stick out of his clothes to be sure! He was a longlimbed lout, ridiculously tall beside my more youth full compactness, and, except that there was no black moustache under his nose blob, he had the same round knobby face as he has to-day, the same bright and active hazel brown eyes, the stare, the meditative moment, the insinuating reply. Surely no boy ever played the fool as Bob Ewart used to play it, no boy had a readier knack of mantling the world with wonder. Commonness vanished before Ewart, at his expository touch all things became memorable and rare. From him I first heard tell of love, but only after its barbs were already sticking in my heart. He was, I know now the bastard of that great improvident artist, Rickmann Ewart; he brought the light of a lax world that at least had not turned its back upon beauty, into the growing fermentation of my mind. I won his heart by a version of Vathek, and after that we were inseparable yarning friends. We merged our intellectual stock so completely that I wonder sometimes how much I did not become Ewart, how much Ewart is not vicariously and derivatively me. VII And then when I had newly passed my fourteenth birthday, came my tragic disgrace. |
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