unimportant instances, omitted altogether. In other respects, the text
is printed as the author left it, with the exception of the names of
the characters. In the manuscript each personage figures in the course
of the narrative under from three to six different names. This
difficulty has been met by bestowing upon each of the _dramatis
persona_ the name which last identified him to the author's mind,
and keeping him to it throughout the volume.

The story, as a story, is complete as it stands; it has a beginning, a
middle, and an end. There is no break in the narrative, and the
legitimate conclusion is reached. To say that the story is complete as
a work of art, would be quite another matter. It lacks balance and
proportion. Some characters and incidents are portrayed with minute
elaboration; others, perhaps not less important, are merely sketched in
outline. Beyond a doubt it was the author's purpose to rewrite the
entire work from the first page to the last, enlarging it, deepening
it, adorning it with every kind of spiritual and physical beauty, and
rounding out a moral worthy of the noble materials. But these last
transfiguring touches to Aladdin's Tower were never to be given; and he
has departed, taking with him his Wonderful Lamp. Nevertheless there is
great splendor in the structure as we behold it. The character of old
Doctor Grimshawe, and the picture of his surroundings, are hardly
surpassed in vigor by anything their author has produced; and the dusky
vision of the secret chamber, which sends a mysterious shiver through
the tale, seems to be unique even in Hawthorne.

There have been included in this volume photographic reproductions of
certain pages of the original manuscript of Doctor Grimshawe, selected
at random, upon which those ingenious persons whose convictions are in
advance of their instruction are cordially invited to try their teeth;