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A History of English Literature by Robert Huntington Fletcher
page 112 of 438 (25%)
being determined, oftentimes by means of false starts and grandiose
failures. In particular, many efforts were made to give prolonged poetical
treatment to many subjects essentially prosaic, for example to systems of
theological or scientific thought, or to the geography of all England. 6.
It continued to be largely influenced by the literature of Italy, and to a
less degree by those of France and Spain. 7. The literary spirit was
all-pervasive, and the authors were men (not yet women) of almost every
class, from distinguished courtiers, like Ralegh and Sidney, to the company
of hack writers, who starved in garrets and hung about the outskirts of the
bustling taverns.

PROSE FICTION. The period saw the beginning, among other things, of English
prose fiction of something like the later modern type. First appeared a
series of collections of short tales chiefly translated from Italian
authors, to which tales the Italian name 'novella' (novel) was applied.
Most of the separate tales are crude or amateurish and have only historical
interest, though as a class they furnished the plots for many Elizabethan
dramas, including several of Shakspere's. The most important collection was
Painter's 'Palace of Pleasure,' in 1566. The earliest original, or partly
original, English prose fictions to appear were handbooks of morals and
manners in story form, and here the beginning was made by John Lyly, who is
also of some importance in the history of the Elizabethan drama. In 1578
Lyly, at the age of twenty-five, came from Oxford to London, full of the
enthusiasm of Renaissance learning, and evidently determined to fix himself
as a new and dazzling star in the literary sky. In this ambition he
achieved a remarkable and immediate success, by the publication of a little
book entitled 'Euphues and His Anatomie of Wit.' 'Euphues' means 'the
well-bred man,' and though there is a slight action, the work is mainly a
series of moralizing disquisitions (mostly rearranged from Sir Thomas
North's translation of 'The Dial of Princes' of the Spaniard Guevara) on
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