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A History of English Literature by Robert Huntington Fletcher
page 133 of 438 (30%)
character of Lyly's plays was largely determined by the light and
spectacular nature of these entertainments, and further by the fact that on
most occasions the players at Court were boys. These were primarily the
'children [choir-boys] of the Queen's Chapel,' who for some generations had
been sought out from all parts of England for their good voices and were
very carefully trained for singing and for dramatic performances. The
choir-boys of St. Paul's Cathedral, similarly trained, also often acted
before the Queen. Many of the plays given by these boys were of the
ordinary sorts, but it is evident that they would be most successful in
dainty comedies especially adapted to their boyish capacity. Such comedies
Lyly proceeded to write, in prose. The subjects are from classical
mythology or history or English folk-lore, into which Lyly sometimes weaves
an allegorical presentation of court intrigue. The plots are very slight,
and though the structure is decidedly better than in most previous plays,
the humorous sub-actions sometimes have little connection with the main
action. Characterization is still rudimentary, and altogether the plays
present not so much a picture of reality as 'a faint moonlight reflection
of life.' None the less the best of them, such as 'Alexander and Campaspe,'
are delightful in their sparkling delicacy, which is produced partly by the
carefully-wrought style, similar to that of 'Euphues,' but less artificial,
and is enhanced by the charming lyrics which are scattered through them.
For all this the elaborate scenery and costuming of the Court
entertainments provided a very harmonious background.

These plays were to exert a strong influence on Shakspere's early comedies,
probably suggesting to him: the use of prose for comedy; the value of
snappy and witty dialog; refinement, as well as affectation, of style;
lyric atmosphere; the characters and tone of high comedy, contrasting so
favorably with the usual coarse farce of the period; and further such
details as the employment of impudent boy-pages as a source of amusement.
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