A History of English Literature by Robert Huntington Fletcher
page 142 of 438 (32%)
page 142 of 438 (32%)
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be carried off, either by stage hands, or, as part of the action, by other
characters in the play. This latter device was sometimes adopted at considerable violence to probability, as when Shakspere makes Falstaff bear away Hotspur, and Hamlet, Polonius. Likewise, while the medieval habit of elaborate costuming was continued, there was every reason for adhering to the medieval simplicity of scenery. A single potted tree might symbolize a forest, and houses and caverns, with a great deal else, might be left to the imagination of the audience. In no respect, indeed, was realism of setting an important concern of either dramatist or audience; in many cases, evidently, neither of them cared to think of a scene as located in any precise spot; hence the anxious effort of Shakspere's editors on this point is beside the mark. This nonchalance made for easy transition from one place to another, and the whole simplicity of staging had the important advantage of allowing the audience to center their attention on the play rather than on the accompaniments. On the rear-stage, however, behind the curtain, more elaborate scenery might be placed, and Elizabethan plays, like those of our own day, seem sometimes to have 'alternation scenes,' intended to be acted in front, while the next background was being prepared behind the balcony curtain. The lack of elaborate settings also facilitated rapidity of action, and the plays, beginning at three in the afternoon, were ordinarily over by the dinner-hour of five. Less satisfactory was the entire absence of women-actors, who did not appear on the public stage until after the Restoration of 1660. The inadequacy of the boys who took the part of the women-characters is alluded to by Shakspere and must have been a source of frequent irritation to any dramatist who was attempting to present a subtle or complex heroine. Lastly may be mentioned the picturesque but very objectionable custom of the young dandies who insisted on carrying their chairs onto the sides of the stage itself, where they not only made themselves conspicuous objects |
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