tendencies of style in the general sense are Classicism and Romanticism.
Classicism means those qualities which are most characteristic of the best
literature of Greece and Rome. It is in fact partly identical with
Idealism. It aims to express the inner truth or central principles of
things, without anxiety for minor details, and it is by nature largely
intellectual in quality, though not by any means to the exclusion of
emotion. In outward form, therefore, it insists on correct structure,
restraint, careful finish and avoidance of all excess. 'Paradise Lost,'
Arnold's 'Sohrab and Rustum,' and Addison's essays are modern examples.
Romanticism, which in general prevails in modern literature, lays most
emphasis on independence and fulness of expression and on strong emotion,
and it may be comparatively careless of form. The Classical style has well
been called sculpturesque, the Romantic picturesque. The virtues of the
Classical are exquisiteness and incisive significance; of the Romantic,
richness and splendor. The dangers of the Classical are coldness and
formality; of the Romantic, over-luxuriance, formlessness and excess of
emotion. [Footnote: All these matters, here merely suggested, are fully
discussed in the present author's 'Principles of Composition and
Literature.' (The A. S. Barnes Co.)]




A TABULAR VIEW OF ENGLISH LITERATURE



I. The Britons and the Anglo-Saxon Period, from the
beginning to the Norman Conquest in 1066 A. D.
A. The Britons, before and during the Roman occupation,