'Epicoene, the Silent Woman,' ridicules various sorts of absurd persons;
'The Alchemist' castigates quackery and its foolish encouragers; and
'Bartholomew Fair' is a coarse but overwhelming broadside at Puritan
hypocrisy. Strange as it seems in the author of these masterpieces of frank
realism, Jonson at the same time was showing himself the most gifted writer
of the Court masks, which now, arrived at the last period of their
evolution, were reaching the extreme of spectacular elaborateness. Early in
James' reign, therefore, Jonson was made Court Poet, and during the next
thirty years he produced about forty masks, devoting to them much attention
and care, and quarreling violently with Inigo Jones, the Court architect,
who contrived the stage settings. During this period Jonson was under the
patronage of various nobles, and he also reigned as dictator at the club of
literary men which Sir Walter Raleigh had founded at the Mermaid Tavern (so
called, like other inns, from its sign). A well-known poetical letter of
the dramatist Francis Beaumont to Jonson celebrates the club meetings; and
equally well known is a description given in the next generation from
hearsay and inference by the antiquary Thomas Fuller: 'Many were the
wit-combats betwixt Shakspere and Ben Jonson, which two I behold like a
Spanish great galleon and an English man-of-war: Master Jonson, like the
former, was built far higher in learning; solid, but slow in his
performances; Shakespere, with the English man-of-war, lesser in bulk, but
lighter in sailing, could turn with all tides, tack about and take
advantage of all winds, by the quickness of his wit and invention.'

The last dozen years of Jonson's life were unhappy. Though he had a pension
from the Court, he was sometimes in financial straits; and for a time he
lost his position as Court Poet. He resumed the writing of regular plays,
but his style no longer pleased the public; and he often suffered much from
sickness. Nevertheless at the Devil Tavern he collected about him a circle
of younger admirers, some of them among the oncoming poets, who were proud