The life of Henry Vaughan [Footnote: The second _a_ is not now
sounded.] (1621-1695) stands in contrast to those of Herbert and Crashaw
both by its length and by its quietness. Vaughan himself emphasized his
Welsh race by designating himself 'The Silurist' (native of South Wales).
After an incomplete university course at Jesus College (the Welsh college),
Oxford, and some apparently idle years in London among Jonson's disciples,
perhaps also after serving the king in the war, he settled down in his
native mountains to the self-denying life of a country physician. His
important poems were mostly published at this time, in 1650 and 1655, in
the collection which he named 'Silex Scintillans' (The Flaming Flint), a
title explained by the frontispiece, which represents a flinty heart
glowing under the lightning stroke of God's call. Vaughan's chief traits
are a very fine and calm philosophic-religious spirit and a carefully
observant love of external Nature, in which he sees mystic revelations of
God. In both respects he is closely akin to the later and greater
Wordsworth, and his 'Retreat' has the same theme as Wordsworth's famous
'Ode on Intimations of Immortality,' the idea namely that children have a
greater spiritual sensitiveness than older persons, because they have come
to earth directly from a former life in Heaven.

The contrast between the chief Anglican and Catholic religious poets of
this period has been thus expressed by a discerning critic: 'Herrick's
religious emotions are only as ripples on a shallow lake when compared to
the crested waves of Crashaw, the storm-tides of Herbert, and the deep-sea
stirrings of Vaughan.'

We may give a further word of mention to the voluminous Francis Quarles,
who in his own day and long after enjoyed enormous popularity, especially
among members of the Church of England and especially for his 'Emblems,' a
book of a sort common in Europe for a century before his time, in which