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A History of English Literature by Robert Huntington Fletcher
page 201 of 438 (45%)
romances, which were widely read in England, and of which a prominent
representative was 'The Great Cyrus' of Mlle. de Scudery, in ten volumes of
a thousand pages or more apiece. These romances, carrying further the
tendency which appears in Sidney's 'Arcadia,' are among the most
extravagant of all products of the romantic imagination--strange melanges
of ancient history, medieval chivalry, pastoralism, seventeenth century
artificial manners, and allegory of current events. The English 'heroic'
plays, partly following along these lines, with influence also from
Fletcher, lay their scenes in distant countries; their central interest is
extravagant romantic love; the action is more that of epic adventure than
of tragedy; and incidents, situations, characters, sentiments, and style,
though not without power, are exaggerated or overstrained to an absurd
degree. Breaking so violently through the commonplaceness and formality of
the age, however, they offer eloquent testimony to the irrepressibility of
the romantic instinct in human nature. Dryden's most representative play of
this class is 'Almanzor and Almahide, or the Conquest of Granada,' in two
long five-act parts.

We need do no more than mention two or three very bad adaptations of plays
of Shakspere to the Restoration taste in which Dryden had a hand; but his
most enduring dramatic work is his 'All for Love, or the World Well Lost,'
where he treats without direct imitation, though in conscious rivalry, the
story which Shakspere used in 'Antony and Cleopatra.' The two plays afford
an excellent illustration of the contrast between the spirits of their
periods. Dryden's undoubtedly has much force and real feeling; but he
follows to a large extent the artificial rules of the pseudo-classical
French tragedies and critics. He observes the 'three unities' with
considerable closeness, and he complicates the love-action with new
elements of Restoration jealousy and questions of formal honor. Altogether,
the twentieth century reader finds in 'All for Love' a strong and skilful
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