A History of English Literature by Robert Huntington Fletcher
page 51 of 438 (11%)
page 51 of 438 (11%)
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habits of animals, generally drawn originally from classical tradition, and
most of them highly fantastic and allegorized in the interests of morality and religion. There was an abundance of extremely realistic coarse tales, hardly belonging to literature, in both prose and verse. The popular ballads of the fourteenth century we must reserve for later consideration. Most numerous of all the prose works, perhaps, were the Chronicles, which were produced generally in the monasteries and chiefly in the twelfth and thirteenth centuries, the greater part in Latin, some in French, and a few in rude English verse. Many of them were mere annals like the Anglo-Saxon Chronicle, but some were the lifelong works of men with genuine historical vision. Some dealt merely with the history of England, or a part of it, others with that of the entire world as it was known to medieval Europe. The majority will never be withdrawn from the obscurity of the manuscripts on which the patient care of their authors inscribed them; others have been printed in full and serve as the main basis for our knowledge of the events of the period. THE ROMANCES. But the chief form of secular literature during the period, beginning in the middle of the twelfth century, was the romance, especially the metrical (verse) romance. The typical romances were the literary expression of chivalry. They were composed by the professional minstrels, some of whom, as in Anglo-Saxon times, were richly supported and rewarded by kings and nobles, while others still wandered about the country, always welcome in the manor-houses. There, like Scott's Last Minstrel, they recited their sometimes almost endless works from memory, in the great halls or in the ladies' bowers, to the accompaniment of occasional strains on their harps. For two or three centuries the romances were to the lords and ladies, and to the wealthier citizens of the towns, much what novels are to the reading public of our own day. By far the greater part of the romances current in England were written in French, whether by Normans or |
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