a hundred books, which together comprised over fourteen thousand pages.
Aside from Malory's romance, which he put out in 1485, the most important
of his publications was an edition of Chaucer's 'Canterbury Tales.' While
laboring as a publisher Caxton himself continued to make translations, and
in spite of many difficulties he, together with his assistants, turned into
English from French no fewer than twenty-one distinct works. From every
point of view Caxton's services were great. As translator and editor his
style is careless and uncertain, but like Malory's it is sincere and manly,
and vital with energy and enthusiasm. As printer, in a time of rapid
changes in the language, when through the wars in France and her growing
influence the second great infusion of Latin-French words was coming into
the English language, he did what could be done for consistency in forms
and spelling. Partly medieval and partly modern in spirit, he may fittingly
stand at the close, or nearly at the close, of our study of the medieval
period.




CHAPTER IV

THE MEDIEVAL DRAMA


For the sake of clearness we have reserved for a separate chapter the
discussion of the drama of the whole medieval period, which, though it did
not reach a very high literary level, was one of the most characteristic
expressions of the age. It should be emphasized that to no other form does
what we have said of the similarity of medieval literature throughout
Western Europe apply more closely, so that what we find true of the drama