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The American Union Speaker by John D. Philbrick
page 13 of 779 (01%)
pronouncing with great force the separate vowel sounds, single words, and
whole sentences, and at the same time taking care to bring into vigorous
action, all the muscular apparatus of respiration. Shouting, calling, and
loud vociferation, in the open air, both while standing, and while walking
or running, are, with due caution, effective means of acquiring vigor of
utterance. Children when at play are instinctively given to vociferation,
which should be permitted, whenever practicable. One of the most remarkable
examples of the extent to which the power of voice may be developed, is
that of the Rev. Mr. Whitefield, the celebrated itinerant preacher. Having
listened to his preaching in the open air, in Philadelphia, on a certain
occasion, Dr. Franklin found by computation, that he might well be heard by
more than thirty thousand auditors. It is said that the habit of speaking
gave to the utterance of Garrick so wonderful an energy, that even his
under-key was distinctly audible to ten thousand people. Dr. Porter sums up
this matter thus :--"The public speaker needs a powerful voice; the
quantity of voice which he can employ, at least can employ with safety,
depends on his strength of lungs; and this again depends on a sound state
of general health. If he neglects this, all other precautions will be
useless."

COMPASS. When a person is engaged in earnest conversation, his voice
spontaneously adopts a certain key or pitch. This is called the natural or
middle key, and it varies in different persons. Pitt's voice, it is said,
was a full tenor, and Fox's a treble. When a speaker is incapable of loud
and forcible utterance on both high and low notes, his voice is said to be
wanting in compass. Webster's voice was remarkable for the extent of its
compass, ranging with the utmost ease, from the highest to the lowest
notes, required by a spirited and diversified delivery; and such was said
to be the versatility of Whitefield's vocal power, that he could imitate
the tones of a female, or the infant voice, at one time, and at another,
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