toes should be kept apart and the heels together.

The principal feature of bodily action consists in the proper use of the
hands. "Have not," says Quintilion, "our hand's the power of exciting, of
restraining, of beseeching, of testifying approbation, admiration, and
shame? Do they not, in pointing out places and persons, discharge the duty
of adverbs and pronouns? So amidst the great diversity of tongues-pervading
all nations and peoples, the language of the hands appears to be a language
common to all men." We stretch forth and clasp the hands when we
importunately entreat, sue, beseech, supplicate, or ask mercy. To put forth
the right hand spread open is the gesture of bounty, liberality, and a free
heart; and thus we reward, and bestow gifts. Placing with vehemence the
right fist in the left palm is a gesture commonly used to mock, chide,
insult, reproach, and rebuke. To beckon with the raised hand is a universal
sign of craving audience and entreating a favorable silence. To wave the
hand from us, the palm outward, is the gesture of repulsion, aversion,
dismissal. To shake the fist at one signifies anger and defiance and
threatening. The hands are clasped or wrung in deep sorrow, and
outstretched with the palms inward to indicate welcoming, approving, and
receiving. In shame, the hand is placed before the eyes; in earnestness and
ardor, the hands reach forward; in joy, they are thrown up, widely apart;
in exultation and triumph, the right hand is waved above the head.

"In the rhetorical actions of the hand, the happy medium ought to be
observed; for the action of the hand should be full of dignity and
magnanimous resolution, making it a liberal index of the mind." A French
writer admirably remarks that we should move the arms because we are
animated, but not try to appear animated by moving the arms.

The countenance, especially the eye, should be made to speak as well as the