Mornings in Florence by John Ruskin
page 34 of 149 (22%)
page 34 of 149 (22%)
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hunted, or shot, or the one eating the other.
You have always heard me--or, if not, will expect by the very tone of this sentence to hear me, now, on the whole recommend you to prefer the Contemplative school. But the comparison is always an imperfect and unjust one, unless quite other terms are introduced. The real greatness or smallness of schools is not in their preference of inactivity to action, nor of action to inactivity. It is in their preference of worthy things to unworthy, in rest; and of kind action to unkind, in business. A Dutchman can be just as solemnly and entirely contemplative of a lemon pip and a cheese paring, as an Italian of the Virgin in Glory. An English squire has pictures, purely contemplative, of his favorite horse--and a Parisian lady, pictures, purely contemplative, of the back and front of the last dress proposed to her in La Mode Artistique. All these works belong to the same school of silent admiration;--the vital question concerning them is, "What do you admire?" Now therefore, when you hear me so often saying that the Northern races--Norman and Lombard,--are active, or dramatic, in their art; and that the Southern races--Greek and Arabian,--are contemplative, you ought instantly to ask farther, Active in what? Contemplative of what? And the answer is, The active art--Lombardic,--rejoices in hunting and fighting; the contemplative art--Byzantine,--contemplates the mysteries of the Christian faith. And at first, on such answer, one would be apt at once to conclude--All grossness must be in the Lombard; all good in the Byzantine. But again |
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