D, Temperance; bridles a black fish, on which she stands.
E, Prudence, with a book.
F, Justice, with crown and baton.
G, Fortitude, with tower and sword.

Under these are the great prophets and apostles; on the left,[Footnote:
I can't find my note of the first one on the left; answering to
Solomon, opposite.] David, St. Paul, St. Mark, St. John; on the right,
St. Matthew, St. Luke, Moses, Isaiah, Solomon. In the midst of the
Evangelists, St. Thomas Aquinas, seated on a Gothic throne.

Now observe, this throne, with all the canopies below it, and the
complete representation of the Duomo of Florence opposite, are of
finished Gothic of Orecagna's school--later than Giotto's Gothic. But
the building in which the apostles are gathered at the Pentecost is of
the early Romanesque mosaic school, with a wheel window from the duomo
of Assisi, and square windows from the Baptistery of Florence. And this
is always the type of architecture used by Taddeo Gaddi: while the
finished Gothic could not possibly have been drawn by him, but is
absolute evidence of the later hand.

Under the line of prophets, as powers summoned by their voices, are the
mythic figures of the seven theological or spiritual, and the seven
_ge_ological or natural sciences: and under the feet of each of
them, the figure of its Captain-teacher to the world.

I had better perhaps give you the names of this entire series of
figures from left to right at once. You will see presently why they are
numbered in a reverse order.