Cambridge Sketches by Frank Preston Stearns
page 103 of 267 (38%)
page 103 of 267 (38%)
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one that has had a judge or a governor in it, with old family portraits,
old books and claw-footed furniture; but if Doctor Holmes had depended on such society for his material he would hardly have interested the public whom he addressed. One of Goethe's critics complained that the class of persons he had introduced in "Wilhelm Meister" did not belong to good society; and to this the "aristocratic" poet replied: "I have often been in society called good, from which I have not been able to obtain an idea for the shortest poem." So it is always: the interesting person is the one who struggles. After the struggle is over, and prosperity commences, the moral ends,--young Corey and his bride go off to Mexico. The lives of families are represented by those of its prominent individuals. The ambitious son of an old and wealthy family makes a new departure from former precedents, thus creating a fresh struggle for himself, and becomes an orator, like Wendell Philips, or a scientist, like Darwin. In the "Autocrat" we recognize the dingy wall-paper of the dining-room, the well-worn furniture, the cracked water-pitcher, and the slight aroma of previous repasts; but we soon forget this unattractive background, for the scene is full of genuine human life. The men and women who congregate there appear for what they really are. They wear no mental masks and other disguises like the people we meet at fashionable entertainments; and each acts himself or herself. Boarding-houses, sanitariums, and sea voyages are the places to study human nature. When a man is half seasick the old original Adam shows forth in him through all the wrappings of education, social restraint, imitation and attempts at self-improvement, with which he has covered it over for so many years. Once on a Cunard steamship I heard an architect from San Francisco tell the story of the hoop-snake, which takes its tail in its teeth and rolls over the prairies |
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