exhort you," etc., while a private soldier leaning against a tree, with a
quid of tobacco in his mouth, remarked, "That man can make a good
speech," but showed no intentions of moving. This summary, however, gives
no adequate idea of the brightness of Professor Child's conversation. He
was an animated talker, full of wit and originality.

When the classes at Harvard were smaller than at present, he would
arrange them in University Hall for declamation, so as to cover as much
space as possible. They did not understand this until he said, "Now we
have a larger audience, if not more numerous;" and this placed every one
in the best of humor.

Besides his regular college duties, Professor Child had three distinct
interests to which he devoted himself in leisure hours with all the
energy of an ardent nature. The first of these, editing a complete
edition of the old English ballads, was the labor of his life, and with
it his name will always be associated, for it is a work that can neither
be superseded nor excelled. He was the first to arouse English scholars
to the importance of this, as may be read in the dedication of a partial
edition taken from the Percy manuscripts and published in London in 1861.
He recognized in them the true foundation of the finest literature of the
modern world, and he considered them so much the better from the fact
that they were not composed to be printed, but to be recited or sung.
Matthew Arnold wrote in a letter from America: "After lecturing at
Taunton, I came to Boston with Professor Child of Harvard, a very
pleasant man, who is a great authority on ballad poetry," very warm
praise, considering the source whence it came. Late in life Professor
Child edited separate versions in modern English of some curious old
ballads, and sent them as Christmas presents to his friends. It is not
surprising that he should have been interested as well in the rude songs