LONGFELLOW

It has been estimated that there were four hundred poets in England in
the time of Shakespeare, and in the century during which Dante lived
Europe fairly swarmed with poets, many of them of high excellence.
Frederick II. of Germany and Richard I. of England were both good poets,
and were as proud of their verses as they were of their military
exploits. Frederick II. may be said to have founded the vernacular in
which Dante wrote; and Longfellow rendered into English a poem of
Richard's which he composed during his cruel imprisonment in Austria. A
knight who could not compose a song and sing it to the guitar was as rare
as a modern gentleman of fashion who cannot play golf. When James Russell
Lowell resigned the chair of poetry at Harvard no one could be found who
could exactly fill his place, and it was much the same at Oxford after
Matthew Arnold retired.

The difference between then and now would seem to reside in the fact,
that poetry is more easily remembered than prose. From the time of Homer
until long after the invention of printing, not only were ballad-singers
and harpers in good demand, but the recital of poetry was also a favorite
means of livelihood to indigent scholars and others, who wandered about
like the minstrels. The "article," as Tom Moore called it, was in active
request. Poetry was recited in the camp of Alexander, in the Roman baths,
in the castles on the Rhine, and English hostelries. Now it is replaced
by novel-reading, and there are few who know how much pleasure can be
derived on a winter's evening by impromptu poetic recitations. If a
popular interest in poetry should revive again, I have no doubt that
hundreds of poets would spring up, as it were, out of the ground and fill