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Cambridge Sketches by Frank Preston Stearns
page 77 of 267 (28%)
English. Among these the celebrated ballad of "The Fisher" is translated
so beautifully as to be slightly, if at all, inferior to the original.
The stanza,

"The water in dreamy motion kept,
As he sat in a dreamy mood,
A wave hove up, and a damsel stept
All dripping from the flood,"

may have appealed strongly to Cranch at this time; for we find that in
October, 1841, he was married at Fishkill-on-the-Hudson to a young lady
of an old Knickerbocker family, Miss Elizabeth De Windt. If she did not
come to him out of the Hudson, there can be no doubt that he courted her
by the banks of the most beautiful river in North America.

Cranch had given up the clerical profession six months before this, and
had adopted that of a landscape painter, for which he would seem to have
studied with some artist in New York City,--unknown to fame, and long
since forgotten. He continued to sketch and paint, and write prose and
verse on the Hudson until 1846, when he embarked with his wife on a
sailing packet for Marseilles. He had the good fortune to find a fellow-
passenger in George William Curtis, and during the voyage of seven weeks,
a lifelong friendship grew up between these two highly gifted men.

The volume of poems which he published in 1844 is now exceedingly rare;
yet many of the pieces belong to a high order of excellence. In ease and
grace of versification they resemble Longfellow, but in thought they are
more like Emerson or Goethe. Consider this opening from "The Riddle":

"Ye bards, ye prophets, ye sages,
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