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Nathaniel Hawthorne by George Edward Woodberry
page 26 of 246 (10%)
stage of being offered to publishers, that he would first "write a story
which would make a smaller book, and get it published immediately if
possible, before the arrangements for bringing out the 'Tales' were
completed." This was presumably "Fanshawe," which may also have been the
novel she recollected his writing to her about while at college.

"Fanshawe" [Footnote: _Fanshawe_. A Tale. Boston: Marsh & Capen,
362 Washington St. Press of Putnam and Hunt, 1828. 12mo. Pp. 141.] was
published in 1828 by Marsh and Capen, at Boston, without the author's
name but at his expense, one hundred dollars being the sum paid; it
failed, and Hawthorne looked on it with so much subsequent displeasure
that he called in all the copies he could find and destroyed them, and
thus nearly succeeded in sinking the book in oblivion, but the few
copies which survived secured its republication after his death. The
novel is brief, with a melodramatic plot, well-marked scenes, and
strongly contrasted character; the style flows on pleasantly; but the
book is without distinction. Like many a just graduated collegian,
Hawthorne had recourse to his academic experience in lieu of anything
else, and in the setting of the story and some of its delineation of
character Longfellow recognized the strong suggestion of Bowdoin days;
in the same way the hero, Fanshawe, borrowed something from Hawthorne's
own temperament. The figure of the villain, too, adumbrates, though
faintly, the type which engaged Hawthorne's mind in later years.
"Fanshawe" as a whole in all its scenes, whether in the house of the old
President, the tavern, the hut, or the outdoor encounters of the lovers
and rivals, is strongly reminiscent of Scott, the management being
entirely in his manner; its low-life tragedy, its romantic scenery, and
its bookish humor, as well as the characterization in general, are also
from Scott; in fact, notwithstanding what Hawthorne had taken from his
own observation and feelings, this provincial sketch, for it is no more,
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