Autobiographical Sketches by Thomas De Quincey
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page 15 of 373 (04%)
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Thomas a Kempis contained some slender rivulets of truth silently
stealing away into light from that interdicted fountain. This belief (so at least I read the case) led to the prodigious multiplication of the book, of which not merely the reimpressions, but the separate translations, are past all counting; though bibliographers _have_ undertaken to count them. The book came forward as an answer to the sighing of Christian Europe for light from heaven. I speak of Thomas a Kempis as the author; but his claim was disputed. Gerson was adopted by France as the author; and other local saints by other nations. [2] At the same time it must not be denied, that, if you lose by a journal in the way here described, you also gain by it. The journal gives you the benefit of its own separate audience, that might else never have heard your name. On the other hand, in such a case, the journal secures to you the special enmity of its own peculiar antagonists. These papers, for instance, of mine, not being political, were read possibly in a friendly temper by the regular supporters of the journal that published them. But some of my own political friends regarded me with displeasure for connecting myself at all with a reforming journal. And far more, who would have been liberal enough to disregard that objection, naturally lost sight of me when under occultation to _them_ in a journal which they never saw. [3] The crime of Josephus in relation to Christianity is the same, in fact, as that of Lauder in respect to Milton. It was easy enough to detect plagiarisms in the "Paradise Lost" from Latin passages fathered upon imaginary writers, when these passages had previously been forged by Lauder himself for the purpose of sustaining such a charge. [4] It is a significant fact, that Dr. Strauss, whose sceptical spirit, |
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