Autobiographical Sketches by Thomas De Quincey
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page 19 of 373 (05%)
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its golden pleasures exhausted? Had I seen Rome? Had I read Milton?
Had I heard Mozart? No. St. Peter's, the "Paradise Lost," the divine melodies of "Don Giovanni," all alike were as yet unrevealed to me, and not more through the accidents of my position than through the necessity of my yet imperfect sensibilities. Raptures there might be in arrear; but raptures are modes of _troubled_ pleasure. The peace, the rest, the central security which belong to love that is past all understanding,--these could return no more. Such a love, so unfathomable,--such a peace, so unvexed by storms, or the fear of storms,--had brooded over those four latter years of my infancy, which brought me into special relations to my elder sister; she being at this period three years older than myself. The circumstances which attended the sudden dissolution of this most tender connection I will here rehearse. And, that I may do so more intelligibly, I will first describe that serene and sequestered position which we occupied in life. [1] Any expression of personal vanity, intruding upon impassioned records, is fatal to their effect--as being incompatible with that absorption of spirit and that self-oblivion in which only deep passion originates or can find a genial home. It would, therefore, to myself be exceedingly painful that even a shadow, or so much as a _seeming_ expression of that tendency, should creep into these reminiscences. And yet, on the other hand, it is so impossible, without laying an injurious restraint upon the natural movement of such a narrative, to prevent oblique gleams reaching the reader from such circumstances of luxury or aristocratic elegance as surrounded my childhood, that on all accounts I think it better to tell him, from the first, with the simplicity of truth, in what order of society my family moved at the time from which this preliminary narrative is dated. Otherwise it might happen that, |
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