Autobiographical Sketches by Thomas De Quincey
page 35 of 373 (09%)
page 35 of 373 (09%)
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a co-agency with unresisted grief, end in the paradoxical result of
making out of grief itself a luxury; such a luxury as finally becomes a snare, overhanging life itself, and the energies of life, with growing menaces. All deep feelings of a _chronic_ class agree in this, that they seek for solitude, and are fed by solitude. Deep grief, deep love, how naturally do these ally themselves with religious feeling! and all three--love, grief, religion--are haunters of solitary places. Love, grief, and the mystery of devotion,--what were these without solitude? All day long, when it was not impossible for me to do so, I sought the most silent and sequestered nooks in the grounds about the house or in the neighboring fields. The awful stillness oftentimes of summer noons, when no winds were abroad, the appealing silence of gray or misty afternoons,--these were fascinations as of witchcraft. Into the woods, into the desert air, I gazed, as if some comfort lay hid in _them_. I wearied the heavens with my inquest of beseeching looks. Obstinately I tormented the blue depths with my scrutiny, sweeping them forever with my eyes, and searching them for one angelic face that might, perhaps, have permission to reveal itself for a moment. At this time, and under this impulse of rapacious grief, that grasped at what it could not obtain, the faculty of shaping images in the distance out of slight elements, and grouping them after the yearnings of the heart, grew upon me in morbid excess. And I recall at the present moment one instance of that sort, which may show how merely shadows, or a gleam of brightness, or nothing at all, could furnish a sufficient basis for this creative faculty. On Sunday mornings I went with the rest of my family to church: it was a church on the ancient model of England, having aisles, galleries, [12] organ, all things ancient and venerable, and the proportions |
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