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Autobiographical Sketches by Thomas De Quincey
page 4 of 373 (01%)
ago, which papers have been reprinted in a collective form by an American
house of high character in Boston; but in part they are to be viewed as
entirely new, large sections having been intercalated in the present
edition, and other changes made, which, even to the old parts, by giving
very great expansion, give sometimes a character of absolute novelty.
Once, therefore, at home, with the allowance for the changes here
indicated, and once in America, it may be said that these writings have
been in some sense published. But _publication_ is a great idea never
even approximated by the utmost anxieties of man. Not the Bible, not the
little book which, in past times, came next to the Bible in European
diffusion and currency, [1] viz., the treatise "De Imitatione Christi,"
has yet in any generation been really published. Where is the _printed_
book of which, in Coleridge's words, it may not be said that, after all
efforts to publish itself, still it remains, for the world of possible
readers, "as good as manuscript"? Not to insist, however, upon any
romantic rigor in constructing this idea, and abiding by the ordinary
standard of what is understood by _publication_, it is probable that, in
many cases, my own papers must have failed in reaching even this. For
they were printed as contributions to journals. Now, that mode of
publication is unavoidably disadvantageous to a writer, except under
unusual conditions. By its harsh peremptory punctuality, it drives a man
into hurried writing, possibly into saying the thing that is not. They
won't wait an hour for you in a magazine or a review; they won't wait for
truth; you may as well reason with the sea, or a railway train, as in
such a case with an editor; and, as it makes no difference whether that
sea which you desire to argue with is the Mediterranean or the Baltic,
so, with that editor and his deafness, it matters not a straw whether he
belong to a northern or a southern journal. Here is one evil of journal
writing--viz., its overmastering precipitation. A second is, its effect
at times in narrowing your publicity. Every journal, or pretty nearly so,
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