Autobiographical Sketches by Thomas De Quincey
page 41 of 373 (10%)
page 41 of 373 (10%)
|
Germany. The playfulness of the scene is the very evoker of the solemn
remembrances that lie hidden below. The half-sportive interlusory revealings of the symbolic tend to the same effect. One part of the effect from the symbolic is dependent upon the great catholic principle of the _Idem in alio_. The symbol restores the theme, but under new combinations of form or coloring; gives back, but changes; restores, but idealizes.] Ascend with me on this dazzling Whitsunday the Brocken of North Germany. The dawn opened in cloudless beauty; it is a dawn of bridal June; but, as the hours advanced, her youngest sister April, that sometimes cares little for racing across both frontiers of May,--the rearward frontier, and the vanward frontier,--frets the bridal lady's sunny temper with sallies of wheeling and careering showers, flying and pursuing, opening and closing, hiding and restoring. On such a morning, and reaching the summits of the forest mountain about sunrise, we shall have one chance the more for seeing the famous Spectre of the Brocken. [14] Who and what is he? He is a solitary apparition, in the sense of loving solitude; else he is not always solitary in his personal manifestations, but, on proper occasions, has been known to unmask a strength quite sufficient to alarm those who had been insulting him. Now, in order to test the nature of this mysterious apparition, we will try two or three experiments upon him. What we fear, and with some reason, is, that, as he lived so many ages with foul pagan sorcerers, and witnessed so many centuries of dark idolatries, his heart may have been corrupted, and that even now his faith may be wavering or impure. We will try. Make the sign of the cross, and observe whether he repeats it, (as on |
|