Autobiographical Sketches by Thomas De Quincey
page 46 of 373 (12%)
page 46 of 373 (12%)
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_Speech of Alhadra, in Coleridge's Remorse_
[7] "_The guard_."--I know not whether the word is a local one in this sense. What I mean is a sort of fender, four or five feet high, which locks up the fire from too near an approach on the part of children. [8] "_Memnonian_."--For the sake of many readers, whose hearts may go along earnestly with a record of infant sorrow, but whose course of life has not allowed them much leisure for study, I pause to explain--that the head of Memnon, in the British Museum, that sublime head which wears upon its lips a smile coextensive with all time and all space, an Aeonian smile of gracious love and Pan-like mystery, the most diffusive and pathetically divine that the hand of man has created, is represented, on the authority of ancient traditions, to have uttered at sunrise, or soon after as the sun's rays had accumulated heat enough to rarefy the air within certain cavities in the bust, a solemn and dirge-like series of intonations; the simple explanation being, in its general outline, this-- that sonorous currents of air were produced by causing chambers of cold and heavy air to press upon other collections of air, warmed, and therefore rarefied, and therefore yielding readily to the pressure of heavier air. Currents being thus established by artificial arrangements of tubes, a certain succession of notes could be concerted and sustained. Near the Red Sea lies a chain of sand hills, which, by a natural system of grooves inosculating with each other, become vocal under changing circumstances in the position of the sun, &c. I knew a boy who, upon observing steadily, and reflecting upon a phenomenon that met him in his daily experience, viz., that tubes, through which a stream of water was passing, gave out a very different sound according to the varying slenderness or fulness of the current, devised an instrument that yielded a rude hydraulic gamut of sounds; and, indeed, upon this simple |
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