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Autobiographical Sketches by Thomas De Quincey
page 69 of 373 (18%)
willingly I gave my aid to the chanting; for I loved unspeakably the
grand and varied system of chanting in the Romish and English churches.
And, looking back at this day to the ineffable benefits which I derived
from the church of my childhood, I account among the very greatest
those which reached me through the various chants connected with the
"O, Jubilate," the "Magnificat," the "Te Deum," the "Benedicite," &c.
Through these chants it was that the sorrow which laid waste my infancy,
and the devotion which nature had made a necessity of my being, were
profoundly interfused: the sorrow gave reality and depth to the
devotion; the devotion gave grandeur and idealization to the sorrow.
Neither was my love for chanting altogether without knowledge. A son
of my reverend guardian, much older than myself, who possessed a
singular faculty of producing a sort of organ accompaniment with one
half of his mouth, whilst he sang with the other half, had given me
some instructions in the art of chanting; and, as to my brother, he,
the hundred-handed Briareus, could do all things; of course, therefore,
he could chant.

Once having begun, it followed naturally that the war should deepen
in bitterness. Wounds that wrote memorials in the flesh, insults that
rankled in the heart,--these were not features of the case likely to
be forgotten by our enemies, and far less by my fiery brother. I, for
my part, entered not into any of the passions that war may be supposed
to kindle, except only the chronic passion of anxiety. _Fear_ it was
not; for experience had taught me that, under the random firing of our
undisciplined enemies, the chances were not many of being wounded. But
the uncertainties of the war; the doubts in every separate action
whether I could keep up the requisite connection with my brother, and,
in case I could not, the utter darkness that surrounded my fate;
whether, as a trophy won from Israel, I should be dedicated to the
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