The Jewel City by Ben Macomber
page 136 of 231 (58%)
page 136 of 231 (58%)
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Court of the Ages they are red, with clouds of rosy steam rising around
them. Writhing serpents spout leaping gas flames on the altars set around the pool of the Ages, and from other altars set by the entrances of the Court rise clouds of steam given the semblance of flame by concealed red lights. By the high altar on the Tower of Ages the same device is used to make the lights flame like huge torches. The palaces themselves are not lighted at night, though they have the appearance of being illuminated. Behind each window and doorway are hung strings of lights backed by reflectors. A soft glow of light comes forth, giving animation to the palaces and strengthening the picture outside. There are two ways to see the Exposition at night, both of which must be followed if one is to get the fullest appreciation of the magic beauty of the lighting. One is to wander about the palaces and courts in the midst of the soft flood of mysterious light, watching the play of the fountains, the barbaric flames of the Court of Ages, the green shimmer of the waters in the Court of Seasons, the banners fluttering in strong white light, the statuary in changing hues according to the color screens used before the projectors, the Aurora Borealis above the Scintillator battery. The other is from a distance. I have seen the illuminated Exposition from the top of Mount Tamalpais, whence it was a wondrous spectacle. But best of all I like to watch it from the hill at the corner of Broadway and Divisadero streets. It is best to go there early, before the lights are turned on. Then you may see the wonderful rosy glow of the Tower of Jewels and the two Italian towers before the white light of the projectors is flashed on them. Red incandescents are hidden behind all |
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