The Jewel City by Ben Macomber
page 155 of 231 (67%)
page 155 of 231 (67%)
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Argentina.--The Argentine Pavilion is really a palace. It is the work of Sauze, a celebrated architect of Buenos Aires, in the style of the French Renaissance. (See p. 169.) The Argentino exhibits, with the exception of dioramas, moving pictures, and photographs, are in the Exposition palaces. The pavilion is the center for the social functions of the Commission. Both exterior and interior of the building illustrate the amazing progress of the South American republic in art, as its exhibits in the Exposition palaces exemplify its advancement in industry and commerce. The entrance opens into a noble hall, imposing in its simplicity. In the clerestory the walls are decorated with fine murals by the brush of the Argentine artist, Colivadeno,--works which show that Argentine art has the beauty, freshness and vigor of the nation from which it springs. In the center of the hall is an exquisite bit of Sculpture. On left and right the foyer opens into a fine reception hall and a graceful refreshment room. In the rear is a theater, where moving pictures of Argentine scenes are shown daily. In the wall of the corridor surrounding the theater on the first floor are excellent panoramas showing scenery and resources. Among these is a view of the famed Iguazu Falls, the greatest and most magnificent waterfall on the globe. In the corridor upstairs are other panoramas, a series of photographs, and a collection of graphic charts which show the commerce, finance, industry, administration, education and social service of the republic. The second floor ends at the rear in a beautiful library. The pavilion was built entirely of materials brought from Buenos Aires, and constructed by Argentino workmen. |
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