famous Portuguese cathedrals.

Siam.--The Siamese Pavilion is a perfect example of the architecture of
the Far East. It reproduces a pavilion on the palace grounds at Bangkok.
It was first built there by native workmen, taken apart in sections and
shipped to San Francisco to be set up on the Exposition grounds. Teak,
sandal-wood and other rare Asiatic timbers are used in its construction.
Hammered metal work, carved ivory, and tapestries form its interior
decorations; but, in striking contrast to its ancient art and spirit,
the building is a moving-picture palace where Siam's life and industry
is shown.

Sweden.--Sweden has delighted everybody with her pavilion, a building
finely representative of the people who built it, and with her
industrial exhibit as well. (p. 160.) The pavilion combines the best in
Swedish ecclesiastical and domestic architecture, the church tower and
the gabled hall near the center, dwelling-house types at the ends. It
was designed by Ferdinand Boberg, a noted leader in Swedish art.

The building is almost entirely filled with exhibits of Swedish
industry, a presentation as good in its way as Canada's splendid picture
of her great, hardly touched resources. The Swedish steel works have
sent numerous models of locomotives, steamships, and machinery, and
full-sized samples of smaller products. The government has furnished
models of docks and bridges, of buildings and other engineering works.
The familiar Swedish matches are here in pyramids. There are rooms
furnished by Swedish artisans in birch and oak, with chandeliers of
hammered iron, carpets from Swedish looms, and fine ceramics from the
Swedish potteries. Other exhibits are in the Exposition palaces. In art,
the Swedish collection in the Palace of Fine Arts is perhaps the most