4. Pinkish-Red-Gold, used in the flag poles and lighting standards only.
It is a very brilliant and striking pigment, and is always topped with
gold.

5. Wall-Red, used in three tones. They are found in the backgrounds of
the colonnades, courts and niches, on the tiled roofs, and in the
statuary. These reds run from terra-cotta to a deep russet, and
predominate in the interiors of the principal courts.

6. Yellow-Golden-Orange, largely used in enriching the travertine and in
enhancing shadow effects. It is found in the architectural mouldings and
in much of the statuary. The following rule was adopted in regard to the
coloring of the statuary: That which is high off the ground, that is,
the figures surmounting the domes and spires, is of golden yellow, while
that close to the eye of the beholder is of verde-antique, a rich
copper-green streaked with gray, and much is left in the natural
travertine tint.

7. Deep Cerulean Blue and Oriental Blue, verging upon green, are used in
the ceilings and other vaulted recesses, in deep shadows, in coffers and
in the background or ornamentation in which travertine rosettes are set
in cerulean blue panels. It might be called electric blue. It is
brilliant and at the same time in harmony with the other colors.

8. Gray, very similar to the travertine.

9. Marble Tint, spread over the travertine in places with a transparent
glaze.

10. Verde-Antique, really one of the many shades of green--a