and less convention, perhaps, in this than in any other piece of
Exposition sculpture. It has the universal touch. It makes an
irresistible appeal.

To make up for the lack of statuary in this court there are mural
paintings over the entrances leading into the Palaces of Education and
Liberal Arts on either hand, and into the Court of the Seasons. Of these
three lunettes two add little to the beauty of the court except for the
vivid touch of color which they give it. One, over the door of the
Palace of Education, is entitled "Fruits and Flowers," by Childe Hassam.
It is a triumph of straight line applied to the female form. Over the
door of the Palace of Liberal Arts is "The Pursuit of Pleasure,"
ascribed to Charles Holloway. The figures are gracefully drawn, the
coloring flowery. There is better quality in Arthur F. Mathews' "Triumph
of Culture," over the entrance to the Court of Seasons. In color and
force this comes nearer to the splendid standard set by Frank Brangwyn
than anything else in the Exposition's mural decoration. Perhaps that is
too faint praise, for this is a real picture. In it a victorious golden
spirit, crowding aside brute force, allows the Humanities,
representatives of Culture, to triumph as the guardians of Youth. The
figures are human, there is strength and ease in them, and the color is
a deep-toned song.



X.

The Fountains